"Yes, that's what I understood from you at Ricks," said Fleda; "but I haven't repeated it to your mother." She had hated, at Ricks, to talk with him about Mona, but now that scruple was swept away. If he could speak of Mona's visit as fatal, she need at least not pretend not to notice it. It made all the difference that she had tried to assist him and had failed: to give him any faith in her service she must give him all her reasons but one. She must give him, in other words, with a corresponding omission, all Mrs. Gereth's. "You can easily see that, as she dislikes your marriage, anything that may seem to make it less certain works in her favor. Without my telling her, she has suspicions and views that are simply suggested by your delay. Therefore it didn't seem to me right to make them worse. By holding off long enough, she thinks she may put an end to your engagement. If Mona's waiting, she believes she may at last tire Mona out." That, in all conscience, Fleda felt was lucid enough. Mrs. Gereth, a month after she had received her great shock, did something abrupt and extraordinary: she caught up her companion and went to have a look at Ricks. They had come to London first and taken a train from Liverpool Street, and the least of the sufferings they were armed against was that of passing the night. Fleda's admirable dressing-bag had been given her by her friend. "Why, it's charming!" she exclaimed a few hours later, turning back again into the small prim parlor from a friendly advance to the single plate of the window. Mrs. Gereth hated such windows, the one flat glass, sliding up and down, especially when they enjoyed a view of four iron pots on pedestals, painted white and containing ugly geraniums, ranged on the edge of a gravel-path and doing their best to give it the air of a terrace. Fleda had instantly averted her eyes from these ornaments, but Mrs. Gereth grimly gazed, wondering of course how a place in the deepest depths of Essex and three miles from a small station could contrive to look so suburban. The room was practically a shallow box, with the junction of the walls and ceiling guiltless of curve or cornice and marked merely by the little band of crimson paper glued round the top of the other paper, a turbid gray sprigged with silver flowers. This decoration was rather new and quite fresh; and there was in the centre of the ceiling a big square beam papered over in white, as to which Fleda hesitated about venturing to remark that it was rather picturesque. She recognized in time that this remark would be weak and that, throughout, she should be able to say nothing either for the mantelpieces or for the doors, of which she saw her companion become sensible with a soundless moan. On the subject of doors especially Mrs. Gereth had the finest views: the thing in the world she most despised was the meanness of the single flap. From end to end, at Poynton, there were high double leaves. At Ricks the entrances to the rooms were like the holes of rabbit-hutches.!

Fleda wondered, but she also smiled. "To-night—to-morrow?" Mrs. Gereth looked dark and void. "Yes, but I hadn't heard from you then that you could invent nothing better than, as you call it, to send him back to her."

"Oh, if you count the ghosts!" "Of course I mean their marriage!" Fleda hesitated again. "I haven't the least idea." "I believe you will, if you look at her like that!"